Blacks Schools

Black schooling, during the period of Reconstruction, occurred in various locations of the rural south: churches, homes, work-locations, etc. School buildings were constructed from limited resources through collaborations with parents, missionary associations, and civic and church leadership. This image is of a colored school in rural Louisiana (no date).  Although this image may appear to capture an integrated school (not uncommon but fewer in number than all-black schools) some of the students maybe mixed-race, or descendent of mixed race parents.

Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. “Colord School” New York Public Library Digital Collections. Accessed May 8, 2018.

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Black Education – Nineteenth Century

This photograph is a model of the more commonly held image of black education in the era of Emancipation and Reconstruction. Taken shortly after the end of the Civil War, the image suggests the leadership of white women and the participation of black children in educational pursuits. Recent scholarship has emphasized the contributions of black teachers (women and men), black soldiers, and black parents in supporting and leading the cause of black education.
Portrait of teacher Laura M. Towne, a founder of the Penn School, with students Dick, Maria and Amoretta. 1866

Schomburg Center for Research in Black Culture, Photographs and Prints Division

Seated in Higher Learning

[Four African American women seated on steps of building at Atlanta University, Georgia]
Askew, Thomas E., 1850?-1914, photographer
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963, collector
Created [1899 or 1900]
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963. Du Bois albums of photographs of African Americans in Georgia exhibited at the Paris Exposition Universelle in 1900
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print

Some Photography/Art Response and Recovery Resources

For collectors of photographs, whether individuals or institutions, there are several good resources on disaster recovery.

Smithsonian’s Cultural Rescue Initiative

American Institute for Conservation of Historic and Artistic Works

*Field Guide to Emergency Response videos

salvage photos
Water Segment video, AICHA

CERF+ The Artists Safety Net video

As Hurricanes Descend, Top Conservators Set Up an Emergency Hotline—and App—to Rescue Waterlogged Art – Artnews 9/8/17

Clock is ticking to dry out and salvage flood-damaged possessions left in wake of Hurricane Harvey – Houston Chronicle 9/4/17

 

Recent Photography Sales at Auction

End of September and October generated a small listing of photographs by black photographers at auction with Swann Auction Galleries and Phillips.  Here’s a quick round-up of the results.

Swann’s October 6th African-American Art Auction
Photographs by James Van Der Zee (1886-1983) were featured at Swann Auction Galleries, October 6th sale of African-American Art.  Portraits of the Barefoot Prophet (Lot 9) and Hazel Scott (Lot 10) were sold at auction estimates, $2,860 and $ 3,250.  And a portfolio of eighteen (18) silver gelatin and sepia prints (Lot 11) sold for $ 87,500, surpassing the auction estimate of $30,000 – 50,000.  From the online catalogue: A handsome portfolio, published by Harry Lunn, Jr., with iconic images from VanDerZee’s photographic career. It includes various subjects of the Harlem Renaissance, as well as studies of Marcus Garvey, Daddy Grace, and formal family portraits.

Prentice Herman Polk (1898-1985), Lot 14, a portfolio of eleven (11) prints featuring such commonly published images as The Boss (1932), and The Pipe Smoker (1932) sold for $ 13,750.  From the online catalogue: Edition of 60 numbered copies. Each signed in ink, lower right. Signed and numbered 18/60 on the title page of the introduction. Published by South Light, Gladewater, Texas in 1981.

Lot 67, Boy and H, Harlem (Stickball) by Louis Draper (1935-2002) sold for $3,000 its low estimate.  Draper was a founding member of Kamoinge, a New York-based black photographers collective, active 1963 to the present.

M33797-1 002

Carrie Mae Weems’ (1953-) work represented in Lots 142, Mirror, Mirror, and Lot 165, Tell me, I beseech you, when I casted my vote to you, did I cast it to the wind?, sold for $ 25,000 and $2,000 respectively.  Each realized the low estimate.

Phillips’ Photographs Evening & Day Sale, October 5 & 6 featured Roy DeCarava’s Arnette, NY, Lot 103, which sold for $ 16,250, the auction estimate.

arnette-ny